There is no perfect storytime (because they can all be perfect to someone)

Fun fact: next week, I’m going to be running a storytime at my library! It’s not something I thought I’d be interested in when I first started working in libraries, but something I grew to appreciate. I was asked to take on occasional storytimes at my branch, and from there, the journey to learning what a “quality” storytime started. In a matter of months (accompanied with a lot of shadowing and practice), I learned about how storytimes weave together literacy and community. I was able to observe how different each librarian’s take on a storytime could be – in fact, when I asked library staff on how to conduct a “good” storytime, the overwhelming consensus was that a good storytime (or program, for that matter) didn’t have to be anything but genuine.

Moo! The picture book by David Rochelle. Pictured is a cow riding a red car excitedly
This is one of the books I’ll be reading during storytime – Moo by David Rochelle, which features only one word: MOO.

One coworker even told me

“Whatever you think the ideal storytime is, it won’t be for another family. Bring yourself, because there will always be a family that likes the way you do it. We have families that like quiet and reserved storytimes, and we have families that prefer more energizing ones. 

I was surprised – I didn’t have to force myself to include as many props as possible or take on a different theatre persona. Instead, I was encouraged to try things that encouraged literacy, but in a way that was comfortable for me. As I was trying to extend as much compassion and effort for our patrons, I realized I also needed to practice that compassion on myself to create my own storytime program.

My own experience ties in well with Library 2.0’s The Power of Stories webinar, which spoke about incorporating elements of accessibility in storytimes. While it may be the general sentiment that teaching children how to read and speak has always been the same, working in libraries has taught me that there will always be ways to meet the community that haven’t been done before. 

Specifically for my system, we are exploring the potential that play has in literacy. While the traditional storytime has someone reading or singing to a room full of children, libraries have started to explore how to include elements of play. One of my systems hands out props to children so they can participate during songs. They have also started construction on creating playground-like structures in our Children’s areas so that children can interact with the physical library as a source of play while they are learning how to read. In this manner, play is interwoven with literacy in our programming and space. In another system I work with, where budget is more of an issue, we bring out donated toys at the end of storytimes so that children can interact with them in the presence of the community. Play in libraries has obviously been done before, but in both my workplaces, they were adapted in ways that accounted for each system’s constraints and their patrons’ needs. 

So what will my quirk be next week when I get to perform? At least this time around, I wanted to incorporate a lot of dancing for my storytime! I’ve always been a very animated and musically-inclined person, so I’d love to share that with the patrons. However, I would love to explore ways I could create a sensory storytime for my workplace, especially in trying to implement sensory aids across all of our storytimes. 

References

Library 2.0. (2020). The Power of Stories. https://www.youtube.com/watch?v=dvZlTRTVX10&t=1651s

Roos, C. (2023). Why we need sensory storytimes. Association for Library Service to Children (ALSC) Blog. https://www.alsc.ala.org/blog/2023/04/why-we-need-sensory-storytimes/

Roskos, K.A. (2023). Play’s potential in early literacy development. Encyclopedia on Early Child Development [online]. https://www.child-encyclopedia.com/play/according-experts/plays-potential-early-literacy-development.

Santa Clara County Library District. (2025). Storybook SCCLD. https://sccld.org/storybooksccld/

Santa Clara County Library. (2025). Storybook SCCLD children’s play space grand opening at Saratoga Library. https://www.youtube.com/watch?v=0fRZqVZDDLs

 

 

Reflection: Patron privacy in libraries

Privacy in libraries can be a difficult balance between data privacy for patrons and optimization of user experience. While data privacy is a core aspect of the American Library Association’s (ALA) Code of Ethics (2021), its practice is constantly evolving, especially because libraries must also negotiate patron privacy with third-party vendors and educate patrons on digital literacy. 

For this reflection, I wanted to highlight ways that privacy policies in libraries could affect patrons of today. The goal of this post was for me to explore how current events may affect our patrons and hopefully bring attention to the solutions other libraries are taking to address privacy issues. 

Preserving privacy for trans patrons 

As Baldwin (2024) points out in American Libraries, the current political landscape can be dangerous for trans or any gender non-conforming patrons, especially with hundreds of anti-trans bills awaiting decision. More than ever, libraries can be a safe space for trans patrons, which should also be reflected in their policies. 

One way libraries can preserve privacy for trans patrons is by recognizing that the name on their legal documents may be different from their preferred name. Most libraries check legal paperwork and/or photo IDs with the library card application form: if there are no policies in place to allow flexibility with preferred names in patron records, then libraries risk using the patron’s dead name and/or exposing the patron as trans. Libraries can also update their library card application forms to include a preferred name(s) field, which can be additionally accommodating for patrons who go by multiple names. 

ICE in the library 

Personally, this has been an ongoing conversation within both of my library workplaces, as both systems are preparing for the very real possibility of having Immigration and Customs Enforcement (ICE) agents visit our spaces requesting patron information or whereabouts. What makes this issue even more complex is the fact that many third-party services that work with libraries often contribute data to ICE’s surveillance efforts (Lamdan, 2019)

The ALA has released guidelines on how to balance Fourth and Fifth Amendment rights for patrons when responding to law enforcement requests (2021). Notably, their guidelines emphasize the importance of preparing every library worker (which includes interns and volunteers) on the appropriate response. 

In addition to this, the California Office of the Attorney General has released their own guidance on how public libraries in California can respond to any issues related to immigration (2024). Similar to the ALA’s guidelines, they recommend that specific people should be designated as the contact when any immigration issues occur. Legal counsel should also be identified before any issues occur so that they are quickly notified in the event that ICE agents enter the library and/or request information. 

Conclusions

It’s important for libraries (and by extension, library workers) to consider how they can maintain patron privacy. While data privacy can be as simple as anonymizing patron check-out data, it can also extend to library worker responses in events such as legal enforcement requests or decisions on which third-party vendors to work with. From my own time looking into this issue, I realized how important it is for library staff to do extensive preparation and research in advance – once the privacy breach occurs, it may be too late and the consequences can be severe. However, there are a myriad of solutions and many libraries are committed to confronting these issues. 

References

American Library Association (2021). ALA code of ethics. https://www.ala.org/tools/ethics

American Library Association (2021). How to respond to law enforcement requests for library records and user information: Suggested guidelines. https://www.ala.org/advocacy/privacy/lawenforcement/guidelines

Baldwin, M. (2024). Prioritizing trans privacy. American Libraries. https://americanlibrariesmagazine.org/2024/06/03/prioritizing-trans-privacy/

California Office of the Attorney General. (2024). Promoting safe and secure libraries for all: Guidance and model policies to assist California’s public libraries in responding to immigration issues. https://oag.ca.gov/sites/all/files/agweb/pdfs/immigration/libraries.pdf

Lamdan, S. (2019). Librarianship at the crossroads of ICE surveillance. In the Library with the Lead Pipe. https://www.inthelibrarywiththeleadpipe.org/2019/ice-surveillance/

What if the connection is artificial? What it means to bridge the digital divide

In Boyd’s prescient 2016 article, she describes the cognitive dissonance of seeing activists using technology to connect people while others employed that same technology for exploitative means. 

“I stopped believing that technology alone could produce enlightenment.”

Libraries can do so much with technology and are often pioneers of change in bridging the digital divide. From large-scale projects such as serving as wireless nodes for the community network to everyday tasks such as assisting patrons with tech literacy, the potential for libraries to uplift their community are endless. Undoubtedly, the question of “Can libraries do this?” has enabled them to create hyperlinked communities. 

In the same vein as the Silicon Valley giants, however, I think libraries are reaching the point where they need to ask “Should we do this?” – not as a question of balancing resources or maximizing efficiency, but as a question of what world libraries are trying to enable. 

The elephant in the room is generative AI: we are all talking about it and almost every service has AI embedded as a tool. Generative AI could be used for almost any purpose, and many libraries have contributed to the hype by offering programs that show patrons how to use gen AI. The reason why this hot topic is still somehow the unaddressed elephant is that the discussion of its ethics is seemingly nonexistent in the library world. While individual libraries such as the University of Missouri are bringing up responsible AI usage and the environmental impacts of AI, the focus of many AI-related library offerings remains solely on its possibilities. However, I wonder if libraries should focus less on the limitless horizon of this resource and reorient ourselves to the digital divide we may inadvertently be perpetuating.  

With its environmental cost (that the Global South will be fronting), tangible harm to creative industries, and potential to further the divide between labor and capital, AI should be less of a hot trend that libraries are adopting as the QR Code 2.0 and more of a serious conversation worth having. The crux of the issue is not AI in and of itself, but about who gets to have a say on how it is used. While I am still new to the library world, my hope is that libraries join in on the conversation and enable our patrons to do so as well.

References:

Acemoglu, D. & Johnson, S. (2023). Choosing AI’s Impact on the Future of Work. Stanford Social Innovation Review. https://ssir.org/articles/entry/ai-impact-on-jobs-and-work

Boyd, D. (2016). What World Are We Building? Medium. https://medium.com/datasociety-points/what-world-are-we-building-9978495dd9ad

Jacobs, J. & Tasin, F. (2024). How the Global South May Pay the Cost of AI Development. Official Monetary and Financial Institutions Forum (OMFIF). https://www.omfif.org/2024/07/how-the-global-south-may-pay-the-cost-of-ai-development/

University of Missouri. (2025). Artificial Intelligence: Research, Writing, Teaching, & Ethics. https://libraryguides.missouri.edu/c.php?g=1448277&p=10766409

Walton, A.Z. (2024). Creative Workers Say Livelihoods Threatened by Generative AI. Computer Weekly. https://www.computerweekly.com/feature/The-threat-of-generative-AI-to-creative-work-and-workers

Williams, A. & Muller, C. (2021). Libraries Are Bridging the Digital Divide. Internet Society. https://www.internetsociety.org/blog/2021/03/libraries-are-bridging-the-digital-divide/

Radical Community Engagement: An exploration of co-design, virtual spaces, and community conversation

 

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How we got here

To me, when I first read the term “radical community engagement,” I felt like it was too vague for me to intuitively work with. What constitutes as radical? Is outreach or programming not already community engagement? This assignment served as an opportunity for me to explore what other libraries were doing to subvert the traditional programming framework where a librarian designs a program, markets it, hosts the program for patrons, and collects feedback for future programming. It took some creative searching to find examples of library services that fit what I was looking for. I used keywords such as radical community engagement, codesign, and library programs and scoured sources such as the American Libraries Magazine, Programming Librarian, and various library websites. Ultimately, I found three examples that exemplified the idea of radical community engagement in different ways.

Reflections

When I used to work in healthcare, a common phrase we used to share was to always work to “meet people where they are at.” If a patient was uncomfortable, we would work to ease that discomfort by checking for consent in various ways, at every step of the process. Since I worked with street medics, this also meant that our services were physically brought to the patients. Schneider’s advice of meeting people where they are is not novel to me, but I hadn’t fully conceptualised it within the library space.

Exploring examples of radical community engagement helped me to see how creative this practice can be and has inspired me to bring that flexibility in my own journey as a librarian. What I most appreciated about all of these examples was that the library staff often worked with materials and technology that are already accessible for patrons and staff. They did not acquire the most updated technology, book an expensive space, or purchase entirely new materials for their work. In fact, Seattle Public Library’s previous co-design initiative for teens involved virtual reality (VR) headsets that the teens found hard to operate and maneuver (Angevine, n.d.). The Nourishing Minds initiative was an adaptation of their co-design principles, applied with accessible, on-site materials such as posterboard, markers, and pen. Knowing this, I think that I will feel less limited to plan programs based on my preconceptions of what materials or resources I need to have to engage with my community.

Sources

Angevine, Colin.(n.d.). Seattle Public Library: Nourishing teen mental health. Connected Wellbeing. https://connectedwellbeing.org/case-study-seattle-public-library/

Braun, L.W. (2024). Designing for equity: Steps for an effective and inclusive codesign process. American Libraries Magazine. https://americanlibrariesmagazine.org/2024/09/03/designing-for-equity/

Palo Alto City Library. (n.d.). Game On! https://library.cityofpaloalto.org/game-on/

Programming Librarian.(2018). Civic Lab. ALA. https://programminglibrarian.org/programs/civic-lab

Reboot Room. (2020). Twitch Stream 11/12/2020 – Teach a Librarian to Play Minecraft! [Video]. Youtube. https://www.youtube.com/watch?v=qiSuNYsdzDU

Schneider, K.G. (2006). The User Is Not Broken: A meme masquerading as a manifesto. https://freerangelibrarian.com/2006/06/03/the-user-is-not-broken-a-meme-masquerading-as-a-manifesto/

Skokie Public Library. (n.d.) The Civic Lab at Skokie Public Library: Overview and FAQ. https://library.alaska.gov/documents/webinars/dev/civics/civic-lab-faq.pdf

Stephens, Michael.(2016). The Heart of Librianship: Attentive, Positive, and Purposeful Change.

Hello everyone!

I’m Mimi, and I currently work in 2 very similarly named library systems: Santa Clara City and Santa Clara County. In my free time, I like to read (I am in A Lot of book clubs), watch movies, and game. I am also an editor for a community zine that interviews people to showcase and archive local histories and art. I became interested in library work since I love to work with people and because my undergraduate degree heavily focused on information science. I wanted to take this course to explore how libraries, our patrons, and technology interact – and blogging just happens to be one of the perks!

Since a picture/link is worth a thousand words, here are some that showcase who I am:

A cover of the book Loneliness and Company by Charlee Dryoff. The cover shows a very pixellated and abstract drawing of a person's bust with no face.
The last book I finished! It also happens to be the book I’m discussing in my library book club this Monday as well as the book that will be featured in our upcoming author talk (that I’ll be helping out with!). I think its central themes are very relevant to our course, as the book focuses on how humans interact and inform technology. Would recommend!

A link to the last Instagram reel I made for my library: working as a part of the social media team has made me realize how libraries can engage with the community by following online trends!

A picture of me at our library's Comic Con. I am standing next to a Godzilla mecha holding up a peace sign.
A picture of me at our library’s Comic Con, where I hosted our Cosplay Contest. Libraries can also help people to engage in their hobbies and connect communities to local artists, authors, and interests.